Lost Souls and Missing Persons premiered at Theatre Passe Muraille in 1984. It is a comic, biting, surreal investigation of the question of self and identity in the North American middle-class—a trope of insulating banalities which trades the body’s physical and spiritual content for the artifice of a formalized security and predictability. Hannah, wife and mother of two teenagers, vacationing with her husband Lyle in New York,.
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